In Korea, concertgoers are actively discussing and reviewing the unique viewing experience from the P-section, particularly rows 2 and 3, at Lotte Concert Hall. This section, located behind the stage, offers an unconventional yet often surprisingly intimate and affordable perspective on classical music performances, attracting interest from those seeking a different way to enjoy concerts.
Bloggers have shared detailed accounts from performances such as Hisaishi Joe music concerts and Cho Seong-jin's collaboration with the Munich Philharmonic. For instance, P-section Row 3 provides a close-up view of orchestra members from behind, allowing observers to see sheet music and percussionists in action, with excellent sound quality due to the pipe organ. P-section Row 2, seat 18, was noted for its direct line of sight to the piano, offering a clear view of pianist Cho Seong-jin's side profile and finger movements, while seat 8 in the same row offered a good orchestra view but less of the pianist's hands. Tickets for these seats can vary, with "obstructed view" seats sometimes available at a lower price directly from Lotte Concert Hall compared to third-party vendors.
Local bloggers express that despite the P-section's position behind the stage, it provides an engaging and close-up experience, almost like a "timpani's perspective." Many found the view of instruments like violins and percussion surprisingly clear and engaging, even for seats labeled as "obstructed." This section is recommended for those who want to observe the musicians' techniques and the inner workings of an orchestra up close, often at a more budget-friendly price point.
KO
EN
JA
TW